Arlette Quynh-Anh Tran

Lives and works in Ho Chi Minh City | Born 1987
Arlette Quynh-Anh Tran is an art laborer based in Ho Chi Minh City. She creates art both collectively and individually and also curates and writes. Her artworks combine politics and sci-fi aesthetics through the use of animation, 3D design, historical archives, and architecture. Arlette is fascinated by the idea of a futuristic Third World utopia where political ideals are reimagined, and humans and non-human beings coexist and merge. She presents a non-linear and absurd interpretation of modern histories that challenges the dominant post-Cold War narratives about the Third World.

Recent solo shows include Future Tense, ara contemporary, Jakarta, Indonesia, PLATTENLOTUS, station urbaner kulturen/nGbK Hellersdorf, Berlin, Germany (2025), and iii.x_Unrealized Utopia, at Gallery Medium, Ho Chi Minh City, Vietnam (2024). Arlette recently concluded her residency at Cité internationale des arts, supported by The Art Explora Foundation (2026). In 2026, she is also awarded a grant from The Graham Foundation for her latest research Future Tense - Queering The Third World Architecture.
Curriculum Vitae
Education
2019 - 2022 MA - Aesthetics & Politics, California Institute of the Arts, California, United States
2009 - 2013 BA - Art History and Philosophy, Freie Universitat Berlin, Humboldt University, University Greifswald, Germany & Charles University in Prague, Czech
Selected Solo Exhibitions
2026 Future Witness, ara contemporary, Jakarta, Indonesia
2025 PLATTENLOTUS, station urbaner kulturen/nGbK Hellersdorf, Berlin, Germany
2024 iii.x_Unrealized Utopia, Gallery Medium, Ho Chi Minh City, Vietnam
Selected Groups Exhibitions
2026 I will tell you when I am home, ara contemporary, Jakarta, Indonesia
2025 Art Jakarta 2025, ara contemporary, Jakarta, Indonesia
The Utopia of Rules, TWorks, Singapore
Bảy nổi ba chìm – Seven up Three down, Hessel Museum of Art, New York, United States
Official Selection of the International Film Festival Rotterdam & Internationale Kurzfilmtage Oberhausen, Germany
2024 REFUGE, Lagos Biennial 2024, Lagos, Nigeria
Dream Screen, Leeum Museum of Art, Seoul, South Korea
Cloud Chamber, Para Site, Hong Kong
the future is present, the harbinger is home, Prospect New Orleans 6, United States
2023 Revolutionary Romances. Transkulturelle Kunstgeschichten in der DDR: Albertinum, Staatliche Kunstsammlungen, Dresden, Germany
2022 Posthuman: Story Telling for Earthly Survival, Asia Culture Center, Gwangju, South Korea
2018 A beast, a god, and a line , Dhaka Art Summit '18, Dhaka, Bangladesh
Carnegie International 57th ed.,, Carnegie Museum of Art, Pittsburgh, United States
2017 Cosmopolis #1: Collective Intelligence, Art Labor Collective, Centre Pompidou Paris, Paris, France
Asian Art Biennale, Art Labor Collective, National Taiwan Museum of Fine Arts, Taichung, Taiwan
2015 Color Wheel's Journey, Art Labor Collective, HCMC Eye Hospital, Ho Chi Minh City, Vietnam
2014 Haunted Threshold, Art Labor Collective, Göttingen Kunstverein, Göttingen, Germany
2010 Syntax and Diction, Sàn Art, Ho Chi Minh City, Vietnam
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Residencies
2026 Art Explora - Cité internationale des arts, Paris, France
2022 Artist-in-residence at the Asia Culture Center, Gwangju, Korea
Collections
Nguyen Art Foundation, Ho Chi Minh City, Vietnam
Selected Award & Prizes
2026 Graham Foundation Individual Grant
2025 Asian Cultural Council’s New York Fellowship Program
2023 Teiger Foundation Research Grant
2022 Art in Networks: GDR and its Global Relations Fellowship, Institut für Kunst- und Musikwissenschaft, TU Dresden
Margaret F. Williams Memorial Fellow at the Asian Art Museum San Francisco
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Selected Publications
2022 Nha San Collective's archive publication
Midnight Sun and the Owl, Asian Art Biennial 2021 anthology
Thai Nguyen Phan, Tate St. Ives monograph
2021 Whisper-wails, Village Festivals, and Bolero - Funeral Rites, nusasonic
Selected Works

RVN_Fengshui

2026, UV print engraving, backlit aluminum frame, 98 x 200 x 6.5 cm, Edition of 3 plus 1 artist's proof

ICT Monument

2026, UV print engraving, backlit aluminum frame, 145 x 55 x 6.5 cm, Edition of 3 plus 1 artist's proof

HUI_Consanguinity

2026, UV print engraving, backlit aluminum frame, 100 x 90 x 6.5 cm, Edition of 3 plus 1 artist's proof

HUI Land of Underworld

2026, UV print engraving, backlit aluminum frame, 100 x 73 x 6.5 cm, Edition of 3 plus 1 artist's proof

SGN_Grace

2026, UV print engraving, backlit aluminum frame, 100 x 6.5 cm, Edition of 3 plus 1 artist's proof

OCCUPYING THE MODERNS

2026, serigraphy, acrylic, ink, mylar paper, natural mica mineral, 33.7 x 46 cm (each)

Technochrome Diplomatic Gift

2026, serigraphy, 41 x 59 cm, Edition of 5 plus 2 artist's proofs

The Twirling Ambassador

2026, serigraphy, 41 x 59 cm, Edition of 5 plus 2 artist's proofs

THE OBLIGATION TOWARD THE DIFFICULT WHOLE

2026, joss-paper bóng roi tower dipped in clay, glaze, metal, wheels, 100 x 60 x 50 cm

Quantum Palm

2026, glass, joss-paper origami flowers dipped in clay, steel, spotlights, motor, TBA, Edition of 1 plus 1 artist's proof

Invisible Anthem

2026, glass tube, metal, cooper, micro controller, heater system, variable dimensions, Edition of 1 plus 1 artist's proof

On the left window: The brightest open hand

2025, LED Lamps, electric wires, 90 x 110 cm

Sharing one root, why torn apart?

2025, joss paper, wire, book-binding tape, stainless steel, construction clay, variable dimensions

Sharing one root, why torn apart?

2025, joss paper, wire, book-binding tape, stainless steel, construction clay, variable dimensions

The Unrealized Utopia | TUU–Schlemmer

2023, ink, gouache, charcoal, silkscreen, tracing paper on republished Bauhaus Journal mounted on aluminum, 89 x 93 cm

The Unrealized Utopia | TUU– Niemeyer

2023, ink, gouache, charcoal, silkscreen, tracing paper on republished Bauhaus Journal mounted on aluminum, 50,5 x 59,5 cm

The Unrealized Utopia | TUU-Moholy-Nagy

2023, ink, gouache, charcoal, silkscreen, tracing paper on republished Bauhaus Journal mounted on aluminum, 30 x 70.5 x 0.5 cm

The Unrealized Utopia | TUU–Kandinsky

2023, ink, gouache, charcoal, silkscreen, tracing paper on republished Bauhaus Journal mounted on aluminum, 168 x 89 cm

The Unrealized Utopia | TUU-Das Kino

2023 ink, gouache, charcoal, silkscreen, tracing paper on republished Bauhaus Journal mounted on aluminum, 42 x 29.5 x 0.5 cm

Exhibition